The underdeveloped, plot-hole-filled screenplay that Stallone, who wrote the story, co-authored with Creighton Rothenberger and Katrin Benedict has about as much interest in narrative and character development as the target audience is likely to bring with them, which is to say little or none.īut the screenwriting committee has also taken the curious approach (are they perhaps fishing for a younger target audience?) of sidelining the older crew of marquee names while Ross rounds up a younger, more nondescript group in a sequence that feels like an unnecessary and unwelcome side-trip interruption of the franchise's signature "of-age-ness."
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